Tatsuya Nakatani, Brian Wenner: An Evening of Experimental Performance

Über das Erlebnis

​An evening of live experimental performance featuring the masterful avant-garde percussionist Tatsuya Nakatani. Nakatani will bring his powerful and expressive percussion techniques to the listening room at Reforesters Laboratory. Opening support will come from the Brooklyn-based experimental electronic artist Brian Wenner. --- Tatsuya Nakatani is a creative artist / percussionist originally from Osaka, Japan who has released over sixty recordings in North America and Europe. Residing in the USA since 1994 he has performed countless solo percussion concerts and has collaborated with hundreds of artists in international music festivals, university concert halls, art museums and galleries. Nakatani has created his own instrumentation, effectively inventing many instruments and extended techniques. He utilizes drums, gongs, cymbals, singing bowls, metal objects, bells, and various sticks and bows to create an intense, intuitively primitive, expressive music of unusually strong spirit that defies category or genre. His music is based in improvised/ experimental music, jazz, free jazz, rock, and noise, yet retains the sense of space and beauty found in traditional Japanese folk music. Brian Wenner is a Brooklyn-based experimental electronic musician and sound artist. His artistic practice involves sound collage and improvisation to create dense works that feel frenetic yet structured. Bandcamp has described his sound as “sizzling experimental electronic music, alternatively dissonant and tuneful.” Working primarily with sampled audio content, Wenner’s creative process is heavily inspired by Musique Concrète combined with modern digital processes. He often gathers sound material from a variety of sources including Internet and phone-ripped audio, natural field recordings, and his own personal sample library. Sounds are then manipulated and layered via hardware samplers and further edited and re-imagined in software. The inspiration for such a process comes from his fascination in recontextualizing found audio to create something meaningful and coherent.